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Ecarlate

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How many artists: 
5

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Date: 
Friday, 18 March 2022 to Saturday, 19 March 2022
Opening: 
Friday, 18 March 2022 - 6:00pm

Under a beam of red light, Ecarlate is a group show interrogating sexual ambiguities, pleasure and play. You wonder where it will bring you, maybe under the sunlight burning your skin or in the darkness of a dirty corner. Your pants will drop to your ankles, forgetting about the shy little human being that you used to be. It doesn’t matter anymore; you think you have seen everything and experienced every pleasure possible. However, this light still seems intriguing; is it hiding something? Is it a warning sign? Should you pene- trate it or just go away? It always seems the same question; Is the unexpected still possible?

Artist ( Description ): 

Luca Bosani (b.1990, Rho) is whatever you think he is.

Selected solo: (upcoming) Galerie Tatiss (Lyon, 2022), San Mei Gallery (London, 2021), Quartier Am Hafen (Cologne, 2021), Tate Britain (London, 2019). Selected group: National Museum of Modern and Contempora- ry Art (Seoul, 2021), Fondazione Francesco Fabbri (Pieve di Soligo, 2020), Kunstraum (London, 2019), Guest Projects (London, 2018).

Tommy Camerno is a British artist based in London. His work observes how patterns in culture corres- pond to patterns of behavior.

Recent exhibitions, Crafting Ourselves, Courtauld, London (2022), Domestic Limbo, Antoine Schafroth, Lon- don (2021) Plan View, Cell Studios, London (2021) Hyperbole, Galleria Nicola Pedana, Naples (2021) The Edge, The Columbia, London (2020) Against the Wall, HVW8 Gallery, Berlin (2020) WIP show, RCA, London (2020) Bad Romance, Gusglasshalle, Berlin (2019) Invisible Realness, PS120, Berlin (2019) The Outside Wall, UDK, Berlin (2019), and recent performances at Reitveld Academy, Amsterdam (2018) and Plus Dede, Berlin (2018)

Alexei Alexander Izmaylov’s practice ping pongs between image making and sculpture. His work is primarily composed of original ‘functional’ objects and procured industrial elements that perform as part of a propositional and evolutionary ecosystem — threading together notions of play, power, commercialisation and illicit desire.

Select solo and group exhibitions include:
AMUSE-BOUCHE, Filet Space, London (31 March 2022), Peach Fuzz, The Factory, London (2021), PROXY, Cromwell Place, London (2021); Scenes of Inclination, Manor Place, London (2021); iObject, Freud Museum, London (2021); Like A Sieve, Kupfer, London (2020), Bloomberg New Contemporaries, South London Gallery, London (2019-20); Bloomberg New Contemporaries, Leeds Art Gallery, Leeds (2019); Cherry Pickers, Po- dium, Luxembourg (2019); Dirty Hands & Revelations, Standpoint Gallery, London (2019); PLACID & LIMPID: 3AM MIRACLE, A FRAGMENT, Nosbaum Reding Gallery, Luxembourg (2019).

Graham Martin (b. 1983, Ayr, Scotland) graduated from the Royal College of Art with an MA in Painting (2021) following studies at Université Paris II Panthéon-Assas (2009-2010), Edinburgh University (2003- 2007), and Edinburgh College of Art (2001-2003).

Group shows include Internal Weather, Sid Motion Gallery, London (2022), London Grads Now, Saatchi Gal- lery, London (2021-2022), Tomorrow 2021, White Cube, London (2021), Burra & Friends, Rye Art Gallery, Rye (2021), The Weird and the Eerie, Hockney Gallery, London (2020), RBA Rising Stars, Royal Over-Seas League, London (2019), the John Moores Painting Prize, Walker Museum, Liverpool (2018).

He is a recent recipient of the Huxley-Parlour FOUR x THREE grant (2022), the Jerwood Arts 1:1 FUND grant (2021) and the Elizabeth Greenshields Foundation Grant (2020) and has his first solo show at Huxley-Parlour Gallery in London opening in June 2022. In 2021, he and his partner Carlos Silveria launched Trafalgar Ave- nue, an artist-led gallery and project space in South East London.

Jakob Rowlinson b. 1990 in Norwich, UK, lives and works in London, UK. Rowlinson creates textile collages imbued with queer codes and mythical symbolism. Exploring medieval queer ecologies, the artist forms rich textural landscapes of fleshy foliage and floral figures, employing them to reject a ‘nature vs. human’ narrative, hinting instead towards a more queer future.

Solo Exhibitions: VISIONS OF A WHISPERED PAST, Quench Gallery, Margate UK (2021), MADE IN SWEDEN, Tandsticksmuseet, Jonkoping (SWEDEN) (2019), DISSECTING THE ARCHIVE, Clearview, London UK (2017) Selected Exhibitions: UNDER YOUR SPELL, Collective Ending HQ, London (2021), DREAMLANDS II, OHSH, London (2021), THE ARTIST’S ORACLE, The White Crypt Gallery, London (2021), PEACH FUZZ, The Factory, London (2021), PRICK AND STITCH, Standpoint Gallery, London (2021), THE BIRTHDAY, The White Crypt Gallery, London (2020), DON’T TOUCH ME, Newcombe House, London (2020), P3, VISIONS IN THE NUNNERY, Bow Art, London (2018), PARLOUR GEOMETRIQUE, Chiswick House, London (2018), FLIPSIDE, Fold Galley, London (2018), FOLEY, MuddyYard Space, Lon- don (2018).

Telephone: 
+41797383238
Venue ( Address ): 

N7, Address provided by email : antoineaurele.schafroth@gmail.com or Instagram : a.schafroth

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